Guided Tour - Rear Panel1: Power on-off switch - As you may have guessed, this is what you use toturn the MPL 1502 on and off. To avoid potential da
Guided Tour - Rear Panel5: Main out (L, R) - These are the MPL 1502’s main outputs. You’ll usually usethese to connect the MPL 1502 to a power amp a
Connecting The MPL 1502 - General SuggestionsThe actual connections you’ll make to and from the MPL 1502 will vary accord-ing to the environment you u
• For single-fader control over a pair of matched signals (i.e. the left-right out-puts of a stereo effects processor, keyboard, drum machine, tone g
• Signals that are likely to require “in-line” processing (such ascompression/limiting or expansion/noise gating) should be connected tochannels 1 -
13Setting up your MPL 1502 is a simple procedure which takes only a few minutes:1. Remove all packing materials (save them in case of need for future
14You’re now ready to establish the correct gain structure—the key to getting thebest performance from the MPL 1502, or from any mixer, for that matte
15Setting the Correct Gain Structurej. The procedure for setting optimum microphone levels is virtually identical; singor speak into the mic at the l
16Grounding TechniquesHum and buzz are the biggest enemies you face when interconnecting a largenumber of different pieces of equipment to a central a
17Grounding TechniquesIf you’re using the MPL 1502 in a fixed location such as a recording studio, youmay want to invest the time and money into creat
Introduction 1MPL 1502 Features 1Guided Tour 3Overview 3Mono and Stereo Channels 4Main Section 6Rear Panel 8Connecting The MPL 1502 - General S
18Using Pan/BalanceThe final Main output of the MPL 1502 is stereo—that is, there are two discreteoutput jacks, labeled “left” and “right,” which will
19Using EqualizationOne of the most exciting aspects of using a mixer such as the MPL 1502 is theability to shape a sound, using a process called equa
20Using Aux Sends and ReturnsThe MPL 1502’s two Auxiliary sends allow you to combine the signal frommultiple channels and send the resulting mix to ex
21Using Channel InsertsIn addition to using Auxiliary sends and returns to access outboard devices, theMPL 1502 also provides channel inserts for the
22ApplicationsHere are four suggested applications for the MPL 1502; bear in mind that your particular circumstance may dictatechanges in these sugges
23Application 2 - Using The MPL 1502 As An Onstage Monitor MixerHere, the MPL 1502 is receiving monophonic signal into its line inputs from the direct
24Application 3 - Using The MPL 1502 As A Keyboard SubmixerHere, various keyboards and MIDI tone generators are connected to the mono and stereo line
ApplicationsApplication 4 - Using The MPL 1502 For Recording You can also use the MPL 1502 for making simple recordings—for example, when recording a
26Specifications1. Frequency Response (0 dB = 1.0 V RMS)17 Hz to 30 kHz ± 1.5 dB at +4 dB2. Equivalent Input NoiseCh. 1 - Ch. 5 Mic input -128 dB (A
IntroductionCongratulations on purchasing the Samson MPL 1502 stereo mixer! Althoughthis unit is designed for easy operation, we suggest you first ta
Introduction• Independent 3-band equalization for each channel, with 15 dB of cut or boostfor low (80 Hz) and high (10 kHz) frequencies, and 12 dB of
Guided Tour - Overview The following illustration shows an overview of the front panel of the MPL 1502:3123−∞−∞−∞+15123−∞−∞−∞123−∞−∞−∞123−∞−∞−∞123−∞−∞
Guided Tour - Mono and Stereo Channels1: Mic inputs (1 - 5) - Provided in monophonic channels only. Use these electronically balancedXLR jacks to co
Guided Tour - Mono and Stereo Channels6: Pan (white) - Provided in mono channels only. This knob allows you to place the input signalanywhere in the
Guided Tour - Main Section1: Meter - This seven-segment bar meter shows the continuous output level ofthe main stereo output. For optimum signal-to-
Guided Tour - Main Section4: Stereo Auxiliary Return Level (gray) - These knobs determine the inputlevel of signal arriving via the MPL 1502’s two st
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